Condition Report: No. 208/350. Fine, harmonious overall appearance. The sheet edges without losses. At the upper edge centered a closed and back-fibered tear ( 2,2 cm). At the lower edge right of centre one small tear (0,5 cm) and in the deckle edge along the upper and the bottom edge each several minuscule, insignificant tears. The paper unevenly time stained. The edges slightly dusted and in places, mainly at the upper edge, bumped. The lower left corner as well as the margin area outside the motif in places with light creases (max. 30 cm). At lower right isolated miniscule foxing. On the reverse the right margin slightly scuffed, and along the left redge in places with brown adhesive residue of a former mounting
Colour offset lithograph on Arches wove paper. 47,4 × 56,7 cm (63,7 × 79,2 cm)
(18 ⅝ × 22 ⅜ in. (25 ⅛ × 31 ⅛ in.)). Signed. One of 350 numbered copies. Paris, Guy Spitzer, 1956 (with the blindstamp and on the reverse with the edition stamp with the edition number inscribed again). After the painting of the same name of 1956 (Zervos XVII 61). [3414]
Condition Report: No. 208/350. Fine, harmonious overall appearance. The sheet edges without losses. At the upper edge centered a closed and back-fibered tear ( 2,2 cm). At the lower edge right of centre one small tear (0,5 cm) and in the deckle edge along the upper and the bottom edge each several minuscule, insignificant tears. The paper unevenly time stained. The edges slightly dusted and in places, mainly at the upper edge, bumped. The lower left corner as well as the margin area outside the motif in places with light creases (max. 30 cm). At lower right isolated miniscule foxing. On the reverse the right margin slightly scuffed, and along the left redge in places with brown adhesive residue of a former mounting
