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1148 Lothar Schreyer

Blasewitz bei Dresden 1886 – 1966 Hamburg

2 x ”Farbform 6 (Mutter) aus Bühnenwerk 'Kindsterben'” / ”Farbform 2 (Die Nacht) aus Bühnenwerk 'Kindsterben'”. 1921/22

3 sheets: each watercolour and opaque white over lithograph on tracing paper. 45 × 30,1 cm / 44,1 × 30,1 cm / 45,1 × 30 cm (17 ¾ × 11 ⅞ in. / 17 ⅜ × 11 ⅞ in. / 17 ¾ × 11 ¾ in.). Sheet 1: At the lower edge titled, inscribed and dated in pencil: Farbform "Mutter" aus Bühnenwerk "Kindsterben" 1921 and with the artist's stamp / Sheet 2: Lower right signed and dated in pencil: Lothar Schreyer 1922 / Sheet 3: At the lower edge titled, inscribed and dated in pencil: Farbform "Die Nacht" aus Bühnenwerk "Kindsterben" 1922 and with the artist's stamp. Catalogue raisonné: Söhn HDO 101-13 and 101-14. One of 100 copies on this paper from a total edition of 110. Sheet 13 and 14 (of 14) from the portfolio: Bauhaus-Drucke. Neue Europäische Graphik. Erste Mappe: Meister des Staatliches Bauhauses in Weimar. Weimar, Staatliches Bauhaus, 1922 (with the blindstamp). [3204]

EUR 1,000

 

- 1,500

Sold for:

1,270 EUR (incl. premium)

Auction 751

Sunday, April 13th 2025, 6:00 PM

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Condition Report: Sheet 1: Harmonious overall appearance. The sheet edges without tears or losses. Three corners minimally bumped and with creases (max. 3,8 cm). At the upper edge right of centre a short crinkle crease (1,2 cm). In the lower right area of the sheet faint diagonal creases (max. 14 cm). The paper with evenly pale time staining and due to the artist's technique in places warped. Isolated minuscule dark soiling particles.

Sheet 2: Harmonious overall appearance. The upper left edge with several minuscule tears; here and in the upper right corner small losses (max. 0,2 x 1,8 cm). The lower right corner with a minuscule tear (0,4 cm) and 2 losses (max. 0,2 x 0,3 cm). The paper with evenly pale time staining and due to the artist's technique in places warped. Isolated minuscule dark soiling particles and very fine creases (max. 3 cm). On the reverse in the upper corners each mounted with Japan paper onto the support cardboard

sheet 3: Fine, harmonious overall appearance. The sheet edges without tears or losses. The lower corners minimally bumped with minuscule, very fine reases. The paper evenly time stained and due to the artist's technique in places warped. Very isolated minuscule dark soiling particles

Subject to change - Please refer to our conditions of sale.